You don't really care what your local port is (eg, port is not defined in external software/hardware).The problem is that choosing a good port is hard.
Liveprofessor x32 software#
I have no idea if I’m giving you details you don’t care about, so sorry if I am.When modules need to listen on a local port, commonly when using osc, this is often done badly leading to a high chance of issues of a port clash with other software or being unable to use multiple instances of a module.Įg bitfocus/companion-module-audiostrom-liveprofessor#1 The most consistent results so far have been to run all MIDI data thru the Mio, but it’s frankly not practical for day to day programming when I’m away from that hardware. We also use an IO Connectivity Mio for hardware patching and multing via RTP.
Liveprofessor x32 driver#
Oh, and if it matters, I have options for MIDI throughput - we are currently using Bome’s for App to App stuff as the IAC driver as of late has been doing weird things for us. I am interested in seeing how people are laying out their setups to get some gears turning in my head for how this system could potentially look and operate.
I know that all this information is discoverable on my own, but I’m assuming I have to create a UI in GP which will in turn be MIDI mappable - unless I can MIDI map parameters directly from a plugin edit screen or something. As the I/O grows, maybe there will be more of those hardware return tracks, but we’ll see. I want to be able to MIDI map things like delay time by subdivision, plugin on and off status, receive tempo via Ableton Link or MIDI clock, and then spit out the wet signal of everything to a stereo pair back into the X32. The end goal is to get a system going in GP/LP/Cantobile/whatever that is reliable and eventually becomes a load it and don’t look at it kind of thing. As for what kind of sources I’m processing, I’m going to start with the 4 vocals in the band and go from there. This technically costs me a little latency vs pulling directly from the Dante sources of each signal, but simplifies routing in case I end up using audio from different sources, like a wired mic at rehearsal vs a wireless at a gig. I will most likely be pulling sources from direct outs from the X32 via the Dante card. Is GP a good candidate for meeting these needs, or should I be looking at Live Professor 2, Mainstage, or something else I don’t know of yet? The intention is to keep all software on one laptop if possible. Use GP to lay out all realtime effects and be controllable via MIDI from Ableton.Ĭontinue to use Ableton with a higher sample buffer, while running GP as fast as possible.įor reference, we are running our show on an Apple silicon-based MBP, with audio running around in every direction via Digiface Dante. Keep Ableton in the mix to run tracks and automate GP.
My band and I have been running tracks/clicks/etc through Ableton for quite a while now, but I’m at a point where I’d like to take a lot of realtime processing off of our X32 and go the plugin route.įirst and foremost, we do not intend to run ultra fast processing on our signal via plugins (comps, eqs, autotune, etc) - mainly just tempo synced delays, reverbs, some other types of effects of that nature.
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